Monthly Archives: July 2009

Cover Shot

By Aaris A. Schroeder
Editor-In-Chief

Imagine cowboys kicking up dust and women dressed in tight bodices and full-shaped skirts all set in a hot western desert.  This is the image of Blvd. Park, Brian Ballentine’s new band under his own label, Ballentine Records that can be seen and heard at venues such as Shady Lady, Marylin’s and Pyramid. 

Blvd. Park is made up of Jared Mason [bass], Guinness Harley [violin/vocals], Beau Brown [drums], Mick Stevenson [banjo, fiddle and mandolin], The Mean Reds, made up of vocalists Tekla Waterfield and Elise Suttie and, of course Brian Ballentine on lead vocals. 

Photo By Kendaru Photography

Photo By Kendaru Photography

“[It is] ‘spaghetti western music;’ kick-back style music.  The sound is light with snares and high hats,” says Ballentine.  “[Our] music is for the ‘work-horse’ crowd.  This music helps us to forget about life’s problems, you know?”

Ballentine lives a happy life in midtown with his dog, Knucklehead.  The story goes that Ballentine saw a guy messing with Knucklehead as a four-month-old puppy behind Old Ironsides and he took the dog home with him. 

“His birthday is on April 1,” believes Ballentine, “he told me.”

Knucklehead, who according to Ballentine is half parakeet and half human has had a few adventures himself, he has gone to doggie jail AKA the pound nine times and has been kidnapped at least twice.  Once Ballentine found Knucklehead clear out in Citrus Heights – he disappeared on a Second Saturday.  Another time, he was located in Oak Park.  Ballentine figures people think he looks like a nice dog so they take him home but he escapes.

Knucklehead has gone on tour with the guys to Seattle, WA but Ballentine says that it is hard to get a dog over the border to another country. 

Formed four months ago and releasing their album, “Just the Beginning: The Bell Towers” fall ’09, Blvd. Park; soothing as iced lemon aid on a hot summer day originally went by the name of Brian Ballentine and the Conroy Brothers.  They consisted of Ballentine and Kevin and Timmy Conroy.  Yet when Harley joined the band, they changed the name to Blvd. Park.

Ballentine’s other band, Nevada Backwards, who sold out of albums in one year is a combination of Rodg [bass], Stevensen [guitar], Matt [drums], Harley [fiddle] and Ballentine [vocals].

“[We] sound like ‘Desert Slam Glass’ or ‘Happy Go Luck Cactus Rock,’”  says Ballentine who has been able to tour Canada, all over CA; except for L.A., The Great Lakes, Chicago, Crescent City and Denver, CO. 

“I like Sacramento, it just needs something.  It takes artists, musicians and people like your self to make it happen.  I think that people are fed up with what is on the radio – the kids have the internet now,” says Ballentine to UBO Magazine.

Brian believes that in the future, Blvd Park will be able to pick up gigs submitting songs to Western Films for soundtracks.  His goal for the band is to perform at dinner theaters and high end lounges.

“I feel that I am being creative again,” explains Ballentine.

When Ballentine isn’t making music, recording a western music video or traveling around the world he hosts themed parties at his house, such as his sangria party, summer ’08 or the carwash fundraiser of ’07. 

“I would wear really short shorts and that is it.  Well and flip-flops – Birkenstocks,” Ballentine reveals his themed outfit for his next party.

The next party Ballentine wants to throw will be a ‘60s themed party.  His party will most likely offer some type of food to munch on; Ballentine’s favorites to cook are beef tacos because “beef is cheaper” and Spaghetti and Bolognese.  Spaghetti seems to be the theme of a lot of things, whether Ballentine is cooking it or creating a new genre of music. The themed drink would be pomegranate sangria.

“When I was younger, I would pretend that I was eating brains,” says Ballentine about pomegranate seeds.

When it all comes down to it, music is fun but Ballentine takes his business seriously and has advice for young people coming into the local music scene, “A year ago, I [finally] claimed that I was a musician and have been working really hard at it.  [My advice is] don’t have a kid at a young age or get married or have girlfriends that will bring you down.  It will come later when you can bang all of the slutty ass celebrities.  Having a dog helps a lot.  Maybe a fuck-buddy once in a while.”

Photo By Kendaru Photography

Photo By Kendaru Photography

Sacramento Open-Mics & Weeklies

Sunday
Torch Club [Blues and Jam Bands], 5 pm
904 15th St.

Monday
Blue Lamp, 9 pm
1400 Alhambra Blvd.

The Fox and Goose
1001 R. St.

Tuesday
Old Ironsides “Lipstick,” 9 pm
1901 10th St.

Club Aura “Talkback Tuesdays,” 7:30 pm
2724 J St.

Wednesday
Old Ironsides [Open-Mic, Get There Early to Signup!], 9 pm
1901 10th St.

The Fox and Goose [Jazz and Jam bands], 9 pm
1001 R. St.

Torch Club, 5 pm
904 15th St.

Queen Sheba “Mahogony Urban Poetry Series” [Open-Mic, Poetry & DJ]
1704 Broadway

Whiskey Wild “Free Music Wednesday” [All Genres/ $2 Train Shots], 9 pm
1910 Q. St.

Pangea Café
[Spoken Word & Acoustic], 8 pm
2743 Franklin Blvd.

Sheraton Acoustic Sessions, 4pm
1230 J St.

Evolv [Open-Mic, All Genres] 9pm
7041 Folsom Blvd.

Thursday
The Distillery “Life” [Hip-Hop, DJs, Networking], 9 pm
2107 L St.

Coffee Garden [Open-Mic, No Cover] 8 pm,
2904 Franklin Blvd.

Capitol Garage [Open-Mic, Call for Cover], 9 pm
1500 K St.

Saturday
Butch N Nellies 1st Sat. “Rhythm & Rhymes” [recorded for Public Access], 2nd Sat. “Live & Direct: Outdoor Concert Series” [outside], 3rd Sat.: “Sit & Spin” [Uncensored Adult Show], 4th Sat. “Live & Direct: Indoor Series”
1827 I St., 7:30 pm

Evolv, “The Mash Up,” $3
7041 Folsom Blvd.

Want to Submit or Update Your Open-Mic or Weekly?  Simply E-mail Us All The Vitals To: ubomag@gmail.com

By Kenny Starks
Staff Writer

By the looks of things Lil Kim and Foxy Brown got something to worry about, if they are still around. A female artist in her own league Ms. Vibe is set to drop her new EP entitled, “Poker Face,” August ‘09.  She will also be releasing a full-length album tentatively titled, “Foundation.”  Born in San Francisco and raised in San Jose, Ms Vibe now resides in Sacramento.  She has opened up for artists DJ Quik, Bueno and J-Gib.

Photo By Rebecca Knoblaugh; Stimulate Photography

Photo By Rebecca Knoblaugh; Stimulate Photography

“My roots led me into emceeing.  I want to introduce people to the fact that I write, produce, arrange and record my music on my own”.

It is highly unlikely to find a person that can do as much as she does. Founded within her independence, Ms.Vybe continues to connect with the people using numerous tools of choice.

“Budding fans can keep up with me at myspace.com/ms916”.

July 2009 Editorial
DIY: Marketing

By Aaris A. Schroeder
Editor-In-Chief

Photo By James Morales

Photo By James Morales

There are several ways to market a product.  When you first look at it from a musician or artist stand point, many people tend to think – spend money and make flyers for an event.  Yet this is not the way to keep your overhead low nor is it the only way to get the word out about your gig.  What is called “The Four P’s of Marketing” must be taken into action to be successful at selling your product.

The first “P” is Product.  You have to be able to have a product that is sellable.  If you are an emcee, you want the cover of your album to appeal to your direct demographic, be professional, packaged properly, etc. 

The next “P” is Price.  You want to price your product in a way that meets your demographic needs.  Always remember the cost of your music or art product vs. what your audience is willing and able to pay. 

The third “P” is Promotion.  This is where it can get fun but also costly.  Another good idea is to get a publicist who can create a professional press kit for you so that media [print, online and radio], booking of events and consignment comes a lot easier.  It also allows the artist time to work on their craft and perform.  You want to communicate on different levels: flyers, mixers, events and online marketing through social networks.  There are several professional ones in our own city such as midtowngrid.com, sacscene.com and sacvibe.com. 

The last “P” stands for Placement.  Where will your product go?  If you are a visual artist it belongs in art galleries or possibly an online web store.  If you are a musician, your music belongs online at websites such as Pandora.com or CDBaby.com.  Getting into itunes, amazon.com and other stores will help with sales.   Physical locations such as The Beat, Dimple Records and R5 Records will help in sales or you can go one step ahead and try for Target, Wal-Mart, Frys or Best Buy.  Often having your publicist contact these outlets and drop off albums with your press kit is the best bet and the most professional.  Props to all inspiring artist who not only believe in themselves but also have others close to them who believe in there artistic abilities; they are truly the ones in need of the knowledge at hand.

By Kenny Starks
Staff Writer

Cutty, 20-year-old Sacramento native got is start in music being a fan of music.  Dabbling in guitar and harmonica, Cutty’s true passion is performing several genres of music.  His sound is soulful, funky and bluesy. 

 

“Music helped me cope with reality,” says Cutty who was hanging out with the wrong crowd in his adolescence, dabbling in drugs and fighting, “Music saved my life.”

Cutty began to get into music such as The Doors and such and it helped him to get away from the negativity in his life when he was 16-years-old.  Limited on songs that he could sing, he had to expand his music choices.  Cutty believed that high school was a joke so he was transferred to Buckingham Charter Magnet Charter School.  Cutty got involved with film for three years at this John Travolta –created charter school. 

 

The charter school started a program for a Jazz band where Cutty became inspired to sing.  The band, Jukebox covered a lot of rock songs.  While in Jukebox, Cutty started Curtain Call made up of Nick [drums] and Matt Schnieder [guitar] and Ben Dawson [rhythm guyitar/songwriter], Butters [bass] and Cutty [vocals].

 

Graduating high school, Cutty went into theater school briefly before moving to Sacramento with his mother.  Funk Naked, Cutty’s next band came to being via Craigslist. Currently, Cutty is singing soul, blues and other genres of music at Whiskey Wild, Free Music Wednesdays Open-Mic and can be seen performing July 26 at Beatnik.

By Kenny Starks
Staff Writer

A very intense fusion of notes makes room for innovation, Arlyn Anderson, made up of Arlyn Anderson [electric guitar], David O’keefe [upright bass] and Tim Metz [drums].  These cool cats are bringing new combinations of old classics and can keep your body moving throughout the night. You should go out and get some catnip because they are that agile in a classy way.

With an album yet to be released, be ready for sounds for sore ears. There will be jazz arrangements of Michael Jackson, Metallica; expect profoundness.    

Photo By Kendaru Photography

Photo By Kendaru Photography

“You also could simply say we’re a modern jazz trio,” says Anderson.

The Arlyn Anderson Trio can be compared to combination of Miles Davis and Jimi Hendrix according to Anderson. If you are down for some eclectic jazz, check out the Shady Lady or J.b’s lounge to see this group literally in the act. Arlyn Anderson also plays for private parties so if you are interested in booking them check out arlynanderson.com or myspace.com/arlynanderson or their official website for more information Timmetz.com.

Photo By Kendaru Photography

Photo By Kendaru Photography

By Aaris A. Schroeder
Editor-In-Chief

If you have been living the Midtown lifestyle, you have probably seen Kris Gupton; five-foot-eight, sporting an afro, coordinated fit and riding around with his Nerve Switchblade cruiser, The Kronic Queen.  Kris G. opened up Shiny Nickel Art Gallery, thanks to his landlord September ’08, featuring urban artists such as Shane Grammer, Pete B. [of The Cuf], BJ, Drone, BJ, Marie Carmeli, Hailey Borchards [of Initial Signature], Crackbaby [of Forms in Flux and Donkey Tron Records].

Coined the Social Terradactyl of Midtown by H-5, bassist for Crazy Ballhead’s live band, Kris G. seems to have his networking down to a tee.  Every month, Kris G. prints flyers for his Second Saturday events.  The newly remodeled gallery located on 21st St. between O and P has an urban appeal, showing hip-hop, contemporary, pen and ink, tattoo-inspired as well as sculptures, photography and 3-D art. 

“I had the opportunity to do something that I wanted,” says Kris G.

 

Second Saturday, July 11, ’09 was by far the busiest that Shiny Nickel has seen.  There had to have been 200-300 people coming and going through the gallery.  DJ Bobby Breaks was on the ones and twos and Sacramento-based roots, ska and reggae band The Storytellers kept the crowd grooving, breakdancing and dropping it like it’s hot all night long until 10 pm.    

The future of Shiny Nickel looks positive as Kris G. wants to bring in more artists, visual and performing, including spoken word artists.

By Aaris A. Schroeder
Editor-In-Chief

Fresh sounds, break dance-ready; Akil The Emcee of Jurassic 5 brings true hip-hop to the table for all ages, offering verbal hip-hop truths as he did for the Hip-Hop Awareness Festival, May 22-24 at the Washington Center in Sacramento, CA.  Yet his story is one traveled.    

J-5 began their journey as an underground hip-hop force in ’94 with songs such as “Concrete School Yard,” released on their self-titled album in ’97 and “What’s Golden” on album “Power in Numbers,” released in ’02 and continued with a strong fan base until March ‘07 with their last album, “Feedback,” when; according to Akil, due to bad business decisions and people not getting along in the group, J-5 dismantled. 

Akil The Emcee of Jurassic 5 Getting His Emcee On at the Sacramento Chapter Hip-Hop Congress' Hip-Hop Awareness Festival.  Photo Courtesy of Tatiana Turner

Akil The Emcee of Jurassic 5 Getting His Emcee On at the Sacramento Chapter Hip-Hop Congress' Hip-Hop Awareness Festival. Photo Courtesy of Tatiana Turner

J-5 has been around since late ’94, making music together under Interscope Records.  “We met at a spot called The Good Life, an open-mic place in LA.  We met another DJ of ours, DJ Newmark at a rehearsal for a live band.” And thus the group was created.   

“Interscope did not understand us from day one,” according to Akil’s MySpace Blog who also states that there were only three videos recorded for the “Quality Control” album and even less for the “Feedback” album. 

Akil also made it clear that J-5 did not put out albums enough, their last album being, “Feedback” released in ’07. 

“The magic was gone,” Akil tells UBO Magazine, “The machine [Interscope] on a whole didn’t have a clue of what to do with us.  We never fit into their inter-scope of things, not to put the blame on them ‘cause no one made us sign.” Akil explains from his MySpace blog. 

Jurassic 5 which has primarily a white college fan base which includes skaters, rockers and punk-kids in the indie-music realm chose to sign to Interscope because the label seemed to cover both sides of the hip-hop world, indie music and the urban world; or in other words – underground and mainstream. 

Little did they know that the fan base they brought, even though it was different than their personal upbringings would end up haunting them as J-5 left Interscope and each other. 

“We did not grow up in that world.  The majority of the group was black [and was] raised in the ghettos of ‘amerikkka,’” Akil states in his blog, “So it was only right that we would want to appeal to them.” 

Interscope had J-5 all wrong.

Akil began touring alone as soon as J-5 fell off from the label and one another.  Akil still performs some of the J-5 singles to get the crowd moving and his fans going but has already recorded and performed several of his own songs which will be released on his album, “Sound Check” summer ’09. 

“Sound check is something you do before the show, tweaking the levels, making sure your mic is set up right so you know that your sound is playable for the people to take in when the show does happen.  I feel like I am just starting over, so I have a sound check with my project.  I have to set the tone for my show.”

Akil has been working on “Sound Check” since summer ’08.  “I could have been done with the album,” he says but he was focused on J-5 until the group actually dismantled. 

“I was coming from a fan-base that was fairly large.  I understand how people are, sometimes they want to know if you are going to make the same type of music or going to be in the same band.  I want to touch on where I came from and open new doors.”

Akil’s sound relates to his fans from J-5 as well as to a younger audience. 

“Plus I am little too,” Akil laughs.

 One of his focuses being to reach to a younger audience without needing to “dumb down” the music.

After you get in front of their faces, they know they have an alternative, they have been given a choice that they can [listen] to other styles of music,” says Akil who grew up in South Central Los Angeles, “A lot of black kids from where I [grew] up, they was break dancing, they were DJing, they was emceeing.  You had your gang stuff going on as well but when hip-hop came in it gave us other alternatives. 

“Hip-Hop is the foundation and rap is just a branch.  It is all still connected to the same tree, whether you do gangsta rap or super-positive [music].  Our enemies see us as one so we should see ourselves as one.”

Akil has toured over-seas with J-5 but has done massive touring since they have separated. Akil is the first emcee to perform in Cambodia and he was able to travel to Greece, Macedonia, Bulgaria and more since the breakup. 

For more information about Akil’s new album, visit his MySpace page at myspace.com/akilthe1mc.

By Aaris A. Schroeder
Editor-In-Chief

Rahman Jamaal McCreadie, a.k.a. Rahman Jamaal, born ’81, started attending public school in Redwood City, CA where, according to him, having non-descript ethnic qualities was not readily understood by his classmates.  He struggled with an educational system that had no structure and no authority, so when his teacher suggested an expensive yet reputable school in Hillsborough called Nueva, his mother worked hard to get him accepted. 

After a few years of getting acclimated to the new environment, he began receiving music scholarships and discovered a passion for theater that eventually landed him lead roles in Macbeth and Hamlet.  Rahman later was accepted into Menlo School, where his other passions for writing and poetry resulted in him rapping a graduation speech about each of his classmates in ‘00. 

Rahman then received a full scholarship to major in film at University of Southern CA.  He left with a Bachelor of Arts in Critical Studies and minors in Music Industry and Communications. While in college, Jamaal hooked up with Brandon Sonnier who had the idea of creating a film about an emcee that was torn between his desire to rap for a living and following his father’s aspirations.  Sonnier asked Rahman if he would compose the music for the film as well as act out the lead character, Flip.  The film was a success as it was taken to Sundance Film Festival receiving an award for youngest director to break a film.

“I began to take music seriously,” says Rahman after the film had been completed who would like to perform with the likes of Dead Prez, The Wu Tang Clan and Immortal Technique.    

At USC, he met Jordan Bromley who, along with Ron Gubitz, were putting together a community network with Shamako Noble & Reali Robinson III who were forming an artist network, both under the name Hip-Hop Congress.  When they decided to fuse into one organization, Rahman’s initial role became chairing the first college campus chapter after Bromley and Gubitz graduated.  Getting involved with non-profit work and Hip -Hop Congress allowed Rahman to begin the process of understanding the current system of education and its role in society.  Now, Hip-Hop Congress is 70 chapters deep is affiliated with universities, high schools and also community-recognized.  Hip-Hop Congress is still a grassroots artist network but on a much larger scale.   Every year, Hip-Hop Congress holds a special conference for their member that includes live music, industry panels, live dance and art as well as performing arts workshops. 

“[At] first conferences were to define Hip-Hop but then it is also this huge collective movement to change our world for the better,” explains Rahman who has worked hard to not have a 9-5, “I am trying to figure out if it is actually possible to make a living doing what I love.”

Rahman Jamaal Performing at Hip-Hop Congress Sacramento Community Chapter's Hip-Hop Awareness Festival.  Photo Courtesy of Tatiana Turner

Rahman Jamaal Performing at Hip-Hop Congress Sacramento Community Chapter's Hip-Hop Awareness Festival. Photo Courtesy of Tatiana Turner

After graduating, Rahman worked with Shamako Noble to establish one of the first hip-hop curriculums in his hometown at the Riekes Center called “The Academy of Hip-Hop,” an 8-week course covering the art of emceeing, writing, recording, and performing.  Rahman is now working for Performing Arts Workshop bringing his program to various sites around the Bay Area, including the Visitation Valley Beacon Center, and Visitacion Valley Boys and Girls Club. Rahman’s role in Hip-Hop Congress is to coordinate chapters on the West Coast.

Getting involved with non-profit work to assist young people and teaching martial arts at the All-Star Karate Center in Redwood City has allowed Rahman to begin the process of getting away from the system.  He teaches dance, theater, creative writing and rap in after-school programs.  He is also the lead singer of a rock band called, Blood Sugar Sex Machine, a tribute to Red Hot Chili Peppers, Rage Against the Machine, and James Brown.  Rahman’s spare time, he enjoys reading books such as “2012: The Return of Quetzalcoatl” by Daniel Pinchbeck and the “Urantia Papers;” both recommended, as well as going to the movies and watching films such as “What the Bleep Do We Know” and playing chess on his iPhone. 

Rahman strong opinions about our government are obvious, “Capitalism needs to be understood from a right-wing perspective.  [Things] are bound to change.  [We] need to recognize the importance of education and arts.  There will be a revolution of the arts that the government will need to recognize.”

He also believes that hip-hop needs to take care of itself in these times, to get stronger in a way that it can allow people to find their own unique individuality, educating each other on the roots of an underground community. 

“We are allowing the community to define hip-hop.  We need to find more organic ways to describe this,” says Rahman who is also learning more about how Americans should go back to their roots and understand that if they are born in America that they are Native Americans.    

Rahman is working on his first official album but he released “Jazzhop Revolution” collaboratively with John Lindberg, a jazz musician as well as music from “The Beat.”  Recently, Jamaal performed at the Washington Center in Sacramento, CA for the Hip-Hop Congress, Sacramento Community Chapter’s Hip-Hop Awareness Festival and is interested in continuing his performance relationship in this city.